Sunday, August 31, 2008

Kanowna (short film) - background to the project

Kanowna

In a dusty dry cemetery in a little known corner of Western Australia there is a plaque that tells a tragic tale from our gold mining past, but this tale isn't one you'd expect.  It is a story of the loss of a newly born baby, a double murder and a gunfight.  It is 1902, the major participants are Japanese and the place is called Kanowna, which in the Indigenous language means "place of no sleep."

Intrigued by this little known event I began to ponder about the circumstances of the people in the dry, dusty and unforgiving heat of 'that' place and of the widespread racism of the time.  I asked the question, "Why have we ignored the part in Australian history played by people of non-European ancestry?"

The majority of films I have made have been an unconscious attempt to tell these stories, to explore the complex relationships and perhaps in a small part to redress the imbalance.

Kanowna is a story of love and the barriers that faced ordinary people in the extraordinary place.  I wanted to explore the impact of cross cultural relationships and expectations in that time.  The Western Australian goldfields would have been a harsh and intolerant place with dire consequences for those who stepped outside the social structures, so into this world I ventured with Chomatsu, Osarno and Trooper Brown.

Kanowna is now a ghost town, only empty street remain, but the spirits don't sleep.





Chris Richards-Scully
copyright 31/08/08

Who's onboard so far

Producer:
?

Actors:  
Dustin Clare - Trooper Brown
Clarke Richards - Trooper Clarke

I know, but we've only just started!


Chris Richards-Scully, Clarke Richards and Dustin Clare

Me, Clarke and Dustin in LA and just about to get into the car to drive to the 2007 Palm Springs International Short Film Festival.

Kanowna (short film) - Let's go

I must say it was a nervous wait for a reply from the Producer.  Thankfully he enjoyed the script and really understood where I was coming from with it.  Discussions then turned to production, who would act in it, where would it be shot, what would we shoot on and how much would we need to make it.

I hadn't thought through much of this so it was time to put the feelers out, see who else wanted to play and see where how we could make it.

Very exciting!  Richard said: "Well I guess you're in pre-production?"

I guess I am!

Kanowna (short film) The Script

So the script I had was only half ready and obviously I couldn't present it in that form.  So I jumped in and started writing again.  Kanowna is the first script I have written in 10 years, the last was my graduation film from TAFE which was too long, not very subtle in its messages and probably too obtuse.

It was a great exercise for my development as a writer and my process.  I started with a feeling, an emotion that I imagined what the film would be.  I then proceeded to a scene breakdown which progressed through the structure of the story.  Once I was happy with the structure, I then filled it out, making adjustments and re-arranging things as I felt necessary.

Then I gave it over to Richard Hyde, who I have collaborated with on a number of projects and he did a script edit.  Not much changed, he suggested changing the sequence of a couple scenes and deleting one or two.  The biggest changes were suggested in the dialogue where I was tending to state subtext.  We met and discussed the changes and I was very happy with his suggestions, with only a couple adjustments of my own.

So in a week we had a fully fledged 1st Draft.

Kanowna (short film) the initial connection

I recently saw an ad on the ScreenHub website looking for a Director to direct a short film.  For which I responded to and was happy to get a response from the Producer, who happily and enthusiastically forward the intended script to me.  Upon reading it, I felt that it needed too much work in its present shape for which I was reluctant to do, I also felt that I didn't have enough connection to it to make it work.

I was however, very impressed with the enthusiasm of this Producer and suggested that we might work on something else, to which he "in principle" agreed.  I gave him an honest opinion of the previous script and advised that I would get my preferred script to him asap.